From 15s to features, our editorial team has a wide range of strengths. We know, however, it’s not just the end product but the process. Our editors all have client ready suites and they have to be good at making coffee or we fire them. So come on in, hang out and let's cut your project, we will also have a great time doing it.

The final leg of sound mountain. For us, this process is as much about delivering a clean soundtrack as it is about contributing sound that has meaning. Foley can define a character. Music can reveal a mystery and smooth dialogue will make sure everyone understands the punchline.

Have you ever danced with the devil in the pale moonlight of the Kadingir Sanctum? Well, our VFX lead designed that lighting for the latest Doom game (and yes, we obviously know there’s not really moonlight in the Sanctum). Years of experience in big video games and big animated features (think How To Train Your Dragon, The Book of Life) have put our small VFX department in a league with the big dogs. But in order to hang, we know we have to be able to scale with the project; we’ve got connections all over the globe with riggers, modelers, and animators, so we can build the squad to fit the game.