Color

We dream about pixel-perfect highlights and shadows. Obsess over upper shadows, film grain, and black levels. And strive for the contrast, consistency, and style of a color grade that will take your project from meh to masterful. 

Whether you are delivering SDR to YouTube or HDR to your favorite platform, we got you. We love visits but we also know our way around Louper, Frame.io and more seamless collaboration tools. Near or far, consider it graded (with your goals in mind).
 

Bad Boy Mowers

Heart of a Bad Boy

Four Sixes Ranch

Honda ULT

Checkmark

Merrick Purrfect Bistro - Group

Cadillac

Cadillac Arrival

Tennessee Titans

Tennessee Tough

Ford Bronco / ABC

Built Wild

Jamaica Tourism

Jamaica Tourism

Hello Bello

Hello Bello

Mazda

Mazda 100 Years

Bad Boy Mowers

Built For The Bold 30s

Netflix

WWE 2K25 x Netflix Games

Schnucks

Here's the Rub




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Made you(r) look

Develop Your Look

Does your project need to look like a Michael Bay/1970/Blue Period piece? Dark and Gritty? Warm and poppy? Vintage and ethereal?

We’ve got a look for that.

Whether you knew your color palette before you shot or are still kinda-sorta working it out now that the edit’s locked, we leverage decades of experience making beautiful look routine and perfect for YOUR project.

Through thick or thin

Consistency

Consistency is about as exciting as a PB&J in your lunchbox...everyday. But at least you knew it was going to be there (and that it would still smack... everyday).

When exposure, skin tones and brand colors remain the same from the first frame to the last, viewers can focus on your message and your story. No distractions.

Variables, on set and in the real world, are unavoidable. The good news is: they are correctable, and that consistency makes all the difference.

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Breadth

We’ve graded everything AND the kitchen sink. (they tend to look good with some cool tones pushed into the chrome highlights. Hey!!! You asked). 

Yep, we’ve graded everything from food and fashion to football and features. With that comes the experience to get to your look in a style all its own.

One grade to rule them all

Delivery

You need 4K DCI Scope delivered as a P3 DCP … or you don’t know what that is. Whatever screen will showcase your story, we have the technical knowledge (aka vast nerdiness) to deliver whatever you need wherever you need it. your project will look great anywhere... From the big screen to one in your pocket to the state-of-the-art screen we mail out for the best remote grade experience. 

Senior Colorist

Clark Griffiths

Clark's been grading in Chi-town at Framestore and Company 3 over the years, and he's now made his way back to his midwest roots in St. Louis, MO - right here at Outpost / Bruton Stroube Studios. He's graded spots for some of the most globally recognized brands in the world, including Allstate, Cadillac, Corona, Nintendo, and McDonald's...

See Clark's Work

Studio

2301 Locust Street St. Louis, MO 63103

+1 314 241 6665